Ildar Abdrazakov [ahb-drah-ZAH-koff] has established himself as one of opera’s most sought-after basses. Since making his La Scala debut in 2001 at 25, the Russian singer has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, the Vienna State Opera, and Munich’s Bavarian State Opera. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail him as a “sensational bass…who has just about everything – imposing sound, beautiful legato, oodles of finesse” (The Independent). Also an active concert artist, he has performed at London’s BBC Proms and at New York’s Carnegie Hall, as well as with leading international orchestras, including the Chicago Symphony and Vienna Philharmonic.
In the 2015-16 season, Abdrazakov returns to several favorite roles in the bel canto repertoire, beginning with a revival of Donizetti’s Anna Bolena at the Met in September. He reprises his acclaimed Henry VIII opposite Sondra Radvanovsky in the title role and returns to New York in January for two encore performances as part of the company’s Tudor Queens trilogy. In Europe, Abdrazakov returns to the Opéra National de Paris as Don Basilio in Rossini’s Il barbiere di Siviglia. He then turns to the works of Verdi, beginning with the composer’s Requiem at Philharmonie Luxembourg and followed by an encore performance as Verdi’s Attila at the Monte Carlo Opera in April. In May, he joins Riccardo Muti for two concert performances of Macbeth at Stockholm’s Konserthuset. Other concert highlights include a reading of Rimsky-Korsakov’s Mozart and Salieri in Moscow with Vladimir Spivakov and the National Philharmonic Orchestra of Russia in December. The coming season also sees Abdrazakov at the helm of the Elena Obraztsova International Academy of Music – where he was appointed Artistic Director by Obraztsova herself in 2014 – which opened in a gala concert August 2015.
One of the most exciting Russian singers to emerge on the international scene in the past decade. — F. Paul Driscoll, Opera News
In more than a decade since his house debut, Abdrazakov has become a mainstay at the Metropolitan Opera. Last season he headlined the gala opening of the company’s season in the title role in a new Sir Richard Eyre production of Le nozze di Figaro under James Levine. He previously sang the title role in a new staging of Borodin’s Prince Igor – a performance captured on DVD and Blu-ray by Deutsche Grammophon. Other notable Met productions include his role debut as Henry VIII opposite Anna Netrebko in Anna Bolena to open the company’s 2011-12 season, Dosifei in Mussorgsky’s Khovanshchina, Escamillo in two productions of Carmen, and the title role in a new production of Verdi’s Attila under the baton of Riccardo Muti. At La Scala, Abdrazakov joined Muti in concert for the reopening of the theater in 2004-05, and that same season he sang Moses in a production of Rossini’s Moïse et Pharaon that was recorded and released on CD and DVD. It was in the same role – in a new production led by Muti – that the bass made his Salzburg Festival debut in 2009, and he has also sung Moses with the Italian maestro in Rome. Abdrazakov first appeared at London’s Royal Opera House in 2009, performing Verdi’s Requiem in concert with Sir Antonio Pappano, and he has since returned there to sing Don Basilio in Il barbiere di Siviglia.
The title role in Le nozze di Figaro was the vehicle for Abdrazakov’s 1998 house debut at St. Petersburg’s Mariinsky Theatre. Among his other signature roles are both the title character and Leporello in Mozart’s Don Giovanni; Méphistophélès in Gounod’s Faust and Berlioz’s La damnation de Faust; Oroveso in Bellini’s Norma; Selim in Rossini’s Il turco in Italia, and Assur in his Semiramide. The Russian bass is noted for Verdi roles including Walter in Luisa Miller and the title character in Oberto, as well as Attila and Banquo.